This was just an example for low end, but your mix could possibly have numerous tracks sharing the same space in low mids, mids, high mids, and highs. Remember, it is not necessary that the same frequency sharing mixing problems will only be associated with the low-end. Moreover, you can add more boost to the main fundamental frequency of the kick track to add even more punch to it.
As a benefit, both these low-end tracks won’t share the exact same space resulting in a cleaner low end. Switch over to the reference Kick track in the same window and now dip the kick at the same zone where you boosted the bass.
Now bring it up right where the next fundamental frequency of the bass resides. If the crucial element of your mix is Kick, then select the comparison Bass track in the EQ window and dip the EQ of the Bass in the same frequency zone. At this moment, you have to decide the track that you will compensate to bring out the other. The final step involves tweaking the EQ to separate the same fundamental space they are sharing. If those fundamental frequencies are in the same zone then congratulations, you’ve found the culprit resulting in a muddy mix. Coming to the analyzation part, carefully determine if the fundamental frequencies of the reference and comparison track. Cubase Spectral Comparison EQ Mode shows the frequency curves of both tracks in a different color so you can better distinguish them to analyze effectively. Now play the mix and you will see spectral frequencies of both the tracks in the same EQ display. So, we definitely want to add the Kick track since to check the problem areas. Towards the right, you can load up any comparison track you want. One of them shows the reference track which is on the left. Now you can see two options just above the spectral display in the Equalizer tab. In this case, let’s load this plugin on to the Bass track. Open up the Channel EQ on either bass or kick track. Now let’s put the Cubase 10.5 Spectral Comparison EQ Mode into play to solve this issue.
But in the full mix, neither your kick is punchy nor the bass is tight. The bass sounds fantastic on its own, the kick sounds amazing when soloed. Let’s take an example! So you’re in the middle of a mix and trying to figure out the muddiness. Now with the introduction of Spectral Comparison Mode in Cubase 10.5, audio engineers can easily find tracks with conflicting frequencies and fine-tune the EQ to get a perfect balance. Some of the engineers also omit this process due to strict time constraints. Additionally, you can also adjust the frequencies of those tracks without having to open the separate EQ module for each track.Ī surprising number of mixing engineers make the mistake of not leaving room for tracks sharing the same frequencies. Basically, it allows you to compare the spectral curves of different tracks right within a single EQ display. This mode will speed up your mixing and mastering workflow substantially.
Hopefully with this explanation, friends, there is an idea of how the mastering process is.Cubase 10.5 introduced a new Spectral Comparison Mode in the Channel EQ along with the huge update list. L2 stereo from Waves Friends can follow the steps like the video above, hopefully can be understood and understood and can be directly practiced at home. For beginners, it is highly recommended for mastering in Cubase 5 because it is easier and simpler.
HOW TO MASTERING CUBASE 5 - Cubase 5 mastering plugins free download - Cubase 5 mastering presets free plugin download /phone/kZqnbKGE4JbI1XE/bejne This time we will discuss how the mastering process is fast in Cubase 5, and in my opinion this method is effective because of the good results.